Play: untitled f*ck m*ss s**gon play
Synopsis: Kim’s day keeps getting worse and she begins to wonder: who’s writing this story? She makes a break for it, busting through a hundred years of bloody narratives that all end the same way. Can she find a way out of this cycle before it’s too late?
Cast Breakdown: Total: 4 W, 2 M
KIM. Female. Asian American. Early 20s (or can pass for early 20s).
ROSIE/CIO-CIO. Female. Asian American. 40s-50s (or can pass for 40s-50s).
AFI/GORO. Male. Asian American. 20s-30s.
CLARK. Male. White. 20s-early 30s.
EVELYN/RICHARDS. Female. White. 20s-early 30s.
NARRATOR/BRENDA. Female. Actor of color. 30s.
Agent: Seth Glewen at Gersh / P: 212-634-8124 / E: email@example.com
Bio: Plays include to the yellow house (La Jolla Playhouse), untitled f*ck m*ss s**gon play (2019 O'Neill National Playwrights Conference), tokyo fish story (South Coast Rep, TheatreWorks/SV, Old Globe), brownsville song (b-side for tray) (Humana Festival, LCT3, Long Wharf Theatre, Philadelphia Theatre Company, Seattle Rep, Moxie Theatre, Shotgun Players), and different words for the same thing directed by Neel Keller (Center Theatre Group). She has developed work with Lark Play Development Center, The Ground Floor/Berkeley Rep, Page 73, Hedgebrook, Ojai Playwrights Conference, Seven Devils Playwrights Conference, Bay Area Playwrights Festival, Great Plains Theatre Conference, ACT Theatre/Seattle, Premiere Stages, MTC, and Magic Theatre/Virgin Series. Lark Playwrights Workshop Fellow, Dramatists Guild Fellow, member of Ma-Yi Writers Lab, and recipient of the Ruby Prize, PoNY Fellowship, Hartford Stage New Voices Fellowship, BAU Institute Arts Residency Award, Kilroys List, 2020-2021 Hodder Fellowship, and inaugural winner of the Bruntwood Prize International Award (2019). MFA: UT Austin.